Cast: Vijay, Kajal, Vidyut Jamwal, Satyan, Jayaram etc
Music: Harris Jayara
jEditing: Sreekar PrasadCamera: Santhosh Sivan
Story, Screeplay, Direction: AR Murugudoss
Jagadish (Vijay) who performs with indian Military comes to Mumbai on holiday. He grabs a enemy unintentionally. He ingredients the truth from him that 12 sequential explosions were organized in Mumbai. With his function he prevents that accident. With this the enemy expert thoughts (Vidyut) comes in look for of Jagadish to put an end to him to proceed his mercenary. What happens from then types the relax.
This movie been shown to be the best one for Vijay to demonstrate his skills for Telugu viewers. He did a very simple performance maintaining his business stage Tamil overaction away. He wisely under unquestionably brilliant Military officer’s personality. And his dances are careful and up to the conventional to create an impression on Telugu aidience.
Kajal has no significance in this movie. She is just for heroine benefit. Her scenarios and songs put braking system to the circulation of narration. She obtained bodyweight and there can be found her new sex quotient.
Vidyut is ideal as adverse cause. Jayaram’s funny is ok and Satyan also did his aspect well.
Harris Jayaraj’s songs is a dud for this movie. No individual music could capture the feelings of viewers. Santhosh Sivan’s cinematography is the resource for this movie. Modifying is excellent and dubbing is ok.
This is a respectable item from Murugudoss who unquestionably stability act by creating the film to the track of greater aspect viewers.
It is not simple to create an impression on with the enemy topic. Many Telugu and Tamil movies those have come as activity fims with the components of terrorism have finished up as having a laugh shares. Hence there has been a common viewpoint that only Bollywood can create such topics as it syncs with nativity. But Thupaki shows that even southern can create excellent movies with such background by getting enough care.
It is an example for the situation where a idol beleived his movie director absolutely. The idol hasn’t gone to the stage of getting impact dialogues published for him like frequent masala movies. He underplayed as per director’s wish and thus the imtelligence of movie director got enough independence to get presented. But the relationship monitor scarred to a big stage. It is appropriate to knit as many loving periods as possible befrore the actual tale conquer begins. But once the tale begins and still relationship keeps keeps streaming, it prevents the feelings of viewers. It occurred with Thupaki.
And the care must have been taken even in ejaculation. But still, this movie appears as a foundation for Vijay’s profession in Tollywood. This is not a Diwali Thupaki but a actual one with adequate principal points in it.
Bottom Line: Thupaki activated well