Story

Set on the background of a position known as Relangi, here lifestyles an respectable man lovingly known as as Relangi Mavayya (Prakash Raj) who propagate happiness and considers in assisting others. His two kids Peddodu (Venky) and Chinnodu (Mahesh Babu) are distinct naturel. Peddodu is dull, not street-smart and short tempered. Chinnodu is more sensible, intelligent and easy going. Both of them are jobless and as frequent the irritating keeps occurring from those around. But their connection is very powerful. Meanwhile, Seetha (Anjali) is the ‘Maradalu’ for Peddodu and she is attached to him a lot. Chinnodu drops in love with Geetha (Samantha) a comparative. But her dad (Rao Ramesh) is more realistic and considers in prosperity and making than anything else. This also makes a gap between both family members. How different changes take position in their lifestyles types the relax of the story.

Performances
Perhaps this is initially that Venkatesh got so less dialogues. Most of his perform was done with his firm body gestures. Of course the personality needed it so he provided rights to it.

Mahesh Babu is the key aspect. He was naughty, dashingly attractive and he also had to give the due regard in discussing screenspace with Venky. He taken interest wherever he was.

Prakash Raj has combined into the part without any issues. His consisting act and conversation distribution is quite grew up and he made his existence sensed.

Samantha was lovely as frequent and though there is not much for her with regards to performance her power and her feeling of putting on a costume were really attractive.

Anjali is a real entertainer and simultaneously she also has that powerful local sex attraction which is hard to skip. She is flexible and provides a variety of emotions with full convenience. She will go far.

Rao Ramesh was seen doing something which is appropriate for his skills after a while. He should get to get more of such excellent tasks. Jayasudha was natural and nice. Rohini Hattangadi was effective. Kota was okay, Tanikella was apt. Abhinaya was lost. Ravi Babu was brief. The others did their bit as needed and loaded the holes.

Highlights:

Venky-Mahesh scenes
Songs
Cinematography

Drawbacks:

Slowly Pace

Analysis
Tollywood market is increasing big and one would anticipate excellent and different enjoyment from it. But the market has always experienced the critique of arriving up with schedule masala potboilers creating it progressively challenging to see relatives members viewers to look at and each celebrity providing more significance to their pictures and moi than excellent programs. ‘Seetamma Vaakitlo Sirimalle Chettu’ is an make an effort to crack that jinx. To a excellent level, the film director has prevailed in splitting it. The greatest task for him was to rationalize the use of two big celebrities who never joined up. For that issue, Tollywood has not seen such mixture from years so the objectives were much greater. And he overrode that with a excellent stability and deserving depiction.

Secondly, the category of the film was genuine close relatives focused concentrating more on beliefs and individual principles. The film director was able to represent that as well. Viewing the film makes you link with the figures more than the celebrities and that is what is important.

However, there are few significant things the film director needs to perform on. For children members cure, there are two key elements- story, feeling of humor and psychological optimum. Here, the film was more like personal emotions of two bros that occur in a home and one cannot see a particular story. It is more about everyday life story that happens in any Indian local middle-class close relatives. Of course, this performs for the connection aspect. Given the topic, it is also important to get those psychological mountains at frequent durations but that did not occur at that regularity.

The film requires off on a reasonable observe with the release of the figures and how one thing results in another but it is the pre-interval stage which makes some strength.

The second 50 percent gets into a excellent beat and fills up those holes of psychological and melodrama quotient. But still, there were many places where this feel could have been powerful. The specialized and development principles are excellent and three songs were deserving.

Overall, this is a film which should be viewed not for what it has to provide but for the complete encounter and knowing the substance of children members and how one has to link with each other.

It is real that times have modified, world has modified, individuals’ attitude has modified and community is no more the same so to those who are realistic and believe in authenticity (like Rao Ramesh in the film) this will not really amuse them. But if one has to look beyond, the concept behind creating this film is not about idealism or healthy enjoyment, it is about pricing interaction and discussing the substance about individual contact.

Commercially, the film operates absolutely on celebrity power despite frequent material but it has enough prospective to woo close relatives members viewers and some women in a large way to the cinemas.

Story

Cherry (Charan) is a street-smart teenager who has a satisfied go lifestyle. Due to an occurrence of his dad Jalebi (Brahmi) he comes across Madhu (Kajal) and drops in really like with her. Madhu is the sis of a well known rowdy (Rahul Dev) and problems happens. Meanwhile, a sequence of murders keep occurring and some of the society’s bigshots such as the DGP are murdered and reverend Rawat (Pradeep Rawat) endures an effort. A CBI official (Ashish Vidyarthi) begins his research and decides that it is Cherry who is doing all the murders. But there is something else that the CBI official, Cherry, Rawat and others do not know. What is that and how factors take form types the relax of the tale.

Performances

Ram Charan provided a rather demure performance and despite having excellent opportunity for displaying his act with wide range he did not give his complete. But then, he was very excellent in dancing and battle divisions.

Kajal Agarwal has increased her pizazz aspect and she is looking delightful. Not much for her with regards to part or performance but she satisfied the charm need. All that she showed up was just in 2 and 50 percent songs and few moments.

Amala John is seen in the second 50 percent and her significant sight and photogenic experience says it all. Even she did not have anything to play a role with regards to part or performance.

The actual celebrities for the movie are Jayaprakash Reddy and Posani Krishnamurali.  M S Narayana, Brahmi, Raghubabu and Seafood Venkat are not completely used. But on a whole, all their paths have come out incredibly well and they offered the much required comedy and enjoyment.

Among them, it was Jayaprakash Reddy who was very funny to the main. Pradeep Rawat did his bit as required. Ashish Vidyarthi was apt. Rahul Dev was a shock. Charmee was sexy with her pizazz in the unique songs. Surekha Vani, Rajeev Kanakala, Dev Gill and others loaded the display with apt activities.

Highlights

Second half
Comedy
CG perform in songs

Drawbacks

Synthetic Activity Scenes
Schedule storyline
No impact dialogues

Analysis
From when the movie hit the surfaces, everyone was stating it to be an ideal smash hit venture and most of them were assured because they were sure of the celebrity energy of Ram Charan. His previously movie ‘Racha’ was a traditional example for that. Given his positions, the objectives were also excellent because the opportunity for displaying wide range was adequate. But let us discuss information.

The main purpose why the movie has proved helpful was not because of Charan’s endurance, it was due to the cushioning performers. The funny paths and the performance of the mature performers was the go with champion.

It looks obvious that more than arriving up with a higher adrenalin, psychologically extreme depiction, Charan was combined into the flow with a number of incredibly skilled performers whose funny time was excellent. As a home, Vinayak used the super aspect to the maximum and applied them wherever possible.

Of course, Charan has a powerful display existence which is difficult to skip and that is the preliminary audience puller. But the actual increase came from those around him. The movie reveals on a a little bit unsociable observe and it requires a while for it to negotiate. But after that it got into some beat. The period hit was reasonable.

It was the second 50 percent which selected the actual strength and Vinayak was sensible enough to mix the program with excellent enjoyment and the required action sequence.

Content sensible, there is nothing excellent but discussing of movie system or the anticipations of Charan lovers, all substances have been offered.

If only the songs had some material, the movie would have been a smash hit but even now it would combination the earnings areas with convenience at the box workplace.

The Secunderabad-Kakinada Slot unique will keep from Secunderabad at 11pm on Jan 11 and 13 and reach Kakinada Slot at 9.45am the next day. For the come back trip, the Kakinada Port-Secunderabad unique will keep Kakinada Slot at 10pm on Jan 12 and 14 and reach Secunderabad at 8.50am the next day.

The Secunderabad-Nagpur unique will keep from Secunderabad at 10pm on Jan 10 and reach Nagpur at 8.15am the next day. For the come back trip, the Nagpur-Secunderabad unique will keep Nagpur at 10am on Jan 11 and appear in Secunderabad at 8.25am the next day. The Nanded-Chennai unique will keep from Nanded at 12.15pm on Jan 10 and reach Chennai at 9am the next day.

Ever since his Dec 22 “hate speech” went popular, the fresh shaven Owaisi younger, known for his brazenly public presentations, has been driving great on the reputation graph and individuals from the group are rallying behind him with some even justifying his conversation, saying it is nothing in comparison to what several Hindu fundamentalist management have provided in the last and got away.

“Hurting the emotions of areas is incorrect but why aren’t individuals from the Sangh parivar being arrested? There is inaction when a Bal Thackery or a Praveen Togadia provide dislike presentations but regulators are instant in arresting a Islamic,” says Anwar Moazzam, a city-based perceptive.

“Were not their presentations anti-national and inflammatory? The concept being sent is that Muslims are anti-social which is incorrect,” he says, replicating ideas of many Islamic youngsters.

Akbaruddin always had a large fan following, mainly due to his charming presentations and his capability to link with the Islamic youngsters, but experts said that his strike on nationwide management like Narendra Modi, who was in comparison by the Superior Judge to a present day “Nero” and his dislike conversation has launched him to a new stage nationwide.

Today many Muslims believe that he is the only innovator who has freely compared the leads of Gujarat primary reverend Narendra Modi becoming the pm.

While his mature sibling and innovator of MIM Asaduddin Owaisi is reverentially known as Asad Baba among celebration supporters, Akbar Bhai some say is getting more reputation among the public.

On Wednesday, a powerful broker of around 1,500 supporters collected at the Gandhi Medical center to show solidarity with their innovator, while the public media websites were bombarded with information such as: ‘Akbar bhai ke liye dua kijiye’ (pray for sibling Akbar) and ‘Sher-e-Deccan ke chehre par na khauf na dar’ (there is no worry in the sight of the deccan tiger).
Thousands of youngsters provided Akbaruddin a hero’s welcome at manchester international terminal on Thursday and followed him to his property in Banjara Mountains where many of them camped instantaneously, which experts said was a indication of solidarity.

Analysts said Akbaruddin’s reputation got a taken in the arm when he runaway from the oral cavity of loss of lifestyle after an effort on his lifestyle was created this year. He was instantly known as Sher-e-Deccan (Tiger of the Deccan), and he obtained large consideration of Muslims from across the condition.

Analysts and activists noticed that Akbaruddin’s ‘aggressive divisive’ plan was likely to entice a lot of ‘blind followers’ with many evaluating him to MNS innovator Raj Thackery. “The anti-Modi over stated claims was an efficient device. Akbaruddin has become a valiant common for a slice of individuals because he has represented that he is battling against the disfavor done to Muslims,” an perceptive inquiring privacy said.

Amina Khan, a company lady from Masab Reservoir, said that she viewed dislike presentations by Hindu management after the press first revealed the Nirmal dislike in the online world. “Owaisi’s conversation is light in comparison to Modi’s ‘every activity has a reaction’ or Togadia’s spiritual fascism or Uma Bharti and Sadhvi Ritambra’s pleasure at the Babri Masjid demolition publish which countless numbers across the nation passed away. Hate shouldn’t be condoned but I think Akbar has been ‘mob and press lynched’,” she says.

His fiercest critics while acknowledging that Akbaruddin was enjoying to the exhibits consent that no one can quit his reputation increasing, especially after his police arrest. “He was an MLA limited to
Chandrayangutta until lately but now he is a well known experience due to press interest. A
Telugu document has known as him as Islamic Togadia,” said Amer Ali Khan, information manager of Siasat Everyday, seen as an anti-MIM foundation.

“Baadshah will b a smash hit. My honest thanks 2 my bro Srinu Vaitla &our Charming group…. Certainly Baadshah will be in top 3 movies of Telugu movie market.thank u younger competition &my bro Srinu Vaitla &kona Gopimohan,k v guhan” (sic).

On the other side, the film’s author Gopi Mohan says that Baadshah will amuse all kinds of viewers. The pre ejaculation moments, NTR’s performance and Brahmanandam show will be a significant attraction

The film’s first look poster that was launched a few times returning reveals the acting professional in a amazing padded hit look with a few improvements. Devi Prasad is guiding the film, which has Isha Chawla enjoying the women cause. Songs is consisting by SA Raj Kumar. Meanwhile the sound launch of Mr Pellikoduku’s is planned to launch on Sankranthi

Story:
Naresh is a drama artiste who is born without the destiny written by Lord Brahma. Brahma fails to write his fate by mistake.

Since he has no fate written on his head, there will no end to his life as well. He possesses the powers of Gods.

Since it proves against nature, Narada conspires a plan to make things right. He plans in such a way that Yama’s daughter Yamaja (Richa Panai) marries Naresh. From then, how things move between Yama and his son in law Naresh has to be watched on screen.

Performances:

Allari Naresh acted as usual with ample ease and timing. He also delivered his sentiment side in this film along with comedy.

Richa Panai is too fair to resist and nothing can be expected from her other than this. She has no skill set to act but exposed enough to the camera. And the dubbing artiste who gave voice for her is still worse.

It is in fact an adventurous thing to make Sayaji Shinde act as Yama. He struggled in a few scenes while playing with dialogues.

Ramya Krishna is ok. Krishna Bahagawan delivered his style of double meaning punch dialogues.

Tanikella Bharani’s villainy is impressive while Raghubabu and Master Bharat entertain masses.
 
Highlights:

1st half comedy
Yamalokam episode

Drawbacks:

Dragged second half

Analysis:

The film is nothing less to any standard Allari Naresh’s film. There is enough comedy for masses in first half. A villain is not at all required for this film. Due to him, the story took wrong side and ended up with less gripping episodes. It is in fact useful for regular commercial films with big heroes, but for Allari Naresh, the director could have banked only on comedy.

There is more scope to bring laughs with the concept of Yama’s daughter marrying a human. But director didn’t use it.

On the other hand Yama’s characterization was failed fully as he was projected as flirt and who gets tempted looking at women.

The film was made with enough richness through out without compromising on production values. Graphics are ok. Dialogues are good. Though there is enough comedy, double meanings dominated. Cinematography and editing are ok.

E Sattibabu thought to make an all round commercial film. He attempted to make a straight masala film with comedy, sentiment and climax fight. He would have scored more marks, had he made only a full length comedy film. Director didn’t use the scope to entertain audience with more comedy episodes between Yama and Naresh.

Aththo Aththamma Kooturo is the highlight song in entire second half. The song clicked very well as the timing and placement was rightly grooved. But the graph has fallen down suddenly after this song. There was heavy drag till the end.

The melodramatic dialogues from Ramaya Krishna to Yama bring head ache. On a whole, only pass marks can be given to this film. There may not be complaint from Allari Naresh fans. The right time for this film to do business is only before Sankranthi.

Story

Karthik (Ravi Teja) lifestyles abroad and it is here he possibilities upon Sandhya (Kajal Agarwal) who is a high-headed lady extremely pleased of her elegance and looks. She considers that young children should drop for her. But Karthik’s mind-set and strategy towards lifestyle create an effect on her and she drops in really like with him. A trip from the international nation to Indian and a opportunity possibility of Sandhya and Karthik journeying together reveals certain information about each other. Sandhya is in for a surprise knowing Karthik’s previous. What is that past? Will Sandhya be effective in her love? All this types the relax of the story.

Performances

Ravi Teja comes with a distinct depiction and he has given a grew up act. Of course, it is difficult to skip his naughtiness and trouble in movement. He had a healthy power now.

Kajal Agarwal looks in the best of form. If she can sustain the same statistics she would ranking many factors. She had opportunity for performance in many moments but did not provide it to the complete. However, her attraction protects up for it.

Richa Gangopadhyay did not do rights to her aspect and her movement didn’t fit the circumstances. She provided same movement for every feelings. She missing all her sex attraction that she has proven in previously movies. She is a big thumbs down for whole movie and her create up and outfit division provided a lot for that.

Not sure what Nara Rohith saw in this aspect but still whatever moments he got, he created his existence sensed. He should perform on getting the lip synchronize right and start his oral cavity a little more though.

Jayasudha was frequent, M S Narayana introduced few joy, Srinivas Reddy was brief, Chandramohan was there to complete the display, Chitram Seenu could have been used more. The others did not have much to provide.

Highlights

Ravi Teja- Kajal chemistry
Locations

Drawbacks

Option of idol for the concept
Slowly pace
Poor indictment in essential scenes
Songs

Analysis

The first effect that one gets after listening to it is a Ravi Teja movie is, it would be complete of huge masala and Ravi Teja would be parading around with effect dialogues and active wooing the heroine with his competitive characteristics. This is where the home has not obtained. He has modified the complete depiction of the Mass Maharaja and created him a clean man.

The director’s take on the man-woman connection and how lifestyle should move on publish wedding creates the core. The essential that it is about knowing each other more than adoring each other is sensible but it has been provided in a rather tired way without getting into fun aspect.

But at the end of the day, it is movies and viewers likes to see that juice of strength and detail at few factors. On a surface the movie is boring and including to it the psychological mountains are losing completely.

The movie requires off on a light observe and the first 50 percent is more like a story story than getting the viewers into the topic, the period hit is cliched and it is the second 50 percent which reveals some guarantee but didn’t keep up.

The movie  was losing the needed power to create that right effect.

Overall, this is a movie is focused for the category and close relatives viewers and especially the present creation whose strategy towards wedding and wife is rather realistic.

But. The movie misfired even from reaching focused viewers.

It is not a food for serious Ravi Teja lovers who anticipate masala.

Story

Varun Krishna (Nani) and Nithya (Samantha) are buddies since child decades and though lifestyle requires them different methods they still keep in contact. When they get into the teenagers they begin preference each other and it develops into really like by enough time they arrive at 24. But that is when actual lifestyle begins and Varun begins to understand that obligations and obligations are also aspect of lifestyle. This variations his connection with Nithya and they divided. However, really like when it develops gets more powerful by the day so does it keep Varun and Nithya away from each other? This types the relax of the story.

Performances
Nani has tailored himself into the personality and he has suitable well from the university boy to the evolved grew up mature. His system gesture was a bit firm but his elegance is seen during the ejaculation periods.

Samantha is all over the movie. Yet again, her personality is loaded with spirit and given her lovely looks she has combined herself into it absolutely and ratings wherever possible.

Krishnudu is the ice buster in the movie. His conversation distribution, his system gesture and his funny delivers great deal of joy. Though his aspect is brief he created his existence sensed highly.

Ravi Raghavendra was frequent, the acting professional who did Nani’s dad’s aspect was sensible, Anupama Kumar was apt, Vivek Pathak is nice. None of them really had opportunity to provide.

Highlights

Music
Nani, Samantha Performance
Second half

Drawbacks

Cinematography

Analysis

Every film maker has his/her own design of storytelling and it is organic that viewers gradually becomes lovers for that individual. Gautham Menon also connected to that university but there is originality in him.

Every movie of his, be it activity or connection styles, operates like a poetry. There is a traditional contact in his landscape arrangements, the photographic camera perspectives and above all, the strength proven between the cause couple.

So, it requires a different attitude to comprehend the taste of Gautham. And to those who comprehend it, his movies become symphonies. The other critical facet about him is the adulthood stage in the program. It might just be a loving story but the sensibilities in the figures are quite expanded. Arriving to this movie, not all substances of Gautham Menon have proved helpful here.

The greatest harm has been done by the backdrop ranking. With due regard to the musical technology genius, such topics need remarkable assistance from songs to generate the feelings but that did not occur here.

Also, Gautham was not that effective in displaying the progress of really like with the needed strength.

The first 50 percent is quite okay and it just goes off without much impact. The second 50 percent reveals some power but then the same variations are available. But Gautham always helps you to save the best for his last so as the movie moves along it choices up the strength and ejaculation hits the focus on.

Overall, this is not as center compressing or gut-wrenching like Gautham’s previously performers but it does drip the juice of connection now and then.

And to see on the right aspect, the stage of university wherein the lady is concentrating on research and other actions while the boy is trying to obtain her interest to the stage wherein the boy becomes the woman’s globe and then the boy getting into the profession stress, ego increasing with age has been proven carefully by Gautham. To those who search for enjoyment and time complete will discover this movie not going anywhere. This is because the issues center around only two figures and it requires only one sorry to set everything right but that requires decades to come out. That’s what is proven by the home.

It may not be a shock to see combined responses from viewers. With regards to professional achievements, few questions are there because it is attractive only to one area of viewers.

Stung by two subsequent beats, the nationwide selectors these days damaged the beat by axing expert speed spearhead Zaheer Khan and batsman Yuvraj Singh from the group for it all and last Analyze against Britain beginning on Friday.

Off-spinner Harbhajan Singh, who did not perform the last go with, also discovered himself in victim record as the selectors decided for a leg-spinner in Piyush Chawla and filled younger blood vessels by choosing Delhi paceman Parvinder Awana and Saurashtra all-rounder Ravindra Jadeja.

Barring Yuvraj and Zaheer’s omissions, there were no significant changes to the group declared by BCCI Assistant Sanjay Jagdale after a conference of the Sandeep Patil-led choice board.

The selectors also declared the group for the two Twenty20 suits to be organised in Pune (December 20) and Mumbai (December 22) in which Uttar Pradesh all-rounder Bhuvneshwar Kumar and Awana were the two new encounters.

Squad for Nagpur Test: Mahendra Singh Dhoni (c), Virender Sehwag, Gautam Gambhir, Sachin Tendulkar, Virat Kohli, Cheteshwar Pujara, Ravindra Jadeja, R Ashwin Piyush Chawla, Ishant Sharma, Ajinkya Rahane, Ashok Dinda, M Vijay, Parvinder Awana.

Squad for Twenty20 series: Mahendra Singh Dhoni (c), Gautam Gambhir, Ajinkya Rahane, Virat Kohli, Rohit Sharma, Suresh Raina, Yuvraj Singh, Manoj Tiwary, Ravichandran Ashwin, Ravindra Jadeja, Piyush Chawla, Ashok Dinda, Bhuvneshwar Kumar, Laxmipathy Balaji, Parvinder Awana.